Can I Offer You an Egg in This Trying Time?
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Past · Published on Feb 26th, 2020
ten. Frank's Pretty Adult female (s7e1)
"Can I offer yous a nice egg in this trying time?"
The season vii premiere, this episode is a real turning point for the show, a shining beacon of things to come. And what does it have? Blood vomit, crack, pes fetishists, expressionless prostitutes, and the stunning and basically unexplained reveal that Mac has gotten fat. Like really, noticeably fat. fifty to 60 pounds, to be precise. Just because Rob McElhenney thought it'd be funny. In several means, this episode reaches new heights of grossness, shamelessness, and weirdness, and it'due south astonishing. The gang dragging poor dead Roxy out into the hall then running away to the tune of "Pretty Woman" is a hell of a tone-setter. Dennis is correct — past this point, they've go the gross crew. And it's perfect.
ix. The Gang Turns Black (s12e1)
"Guess we got that in common, huh kid? Oh, unless he knows his dad! Oh shoot, that was racist."
If this were a ranking of most ambitious episodes, "Turns Black" would be correct at the top. It'south an indictment of racism in America. It'southward a reminder from the writers that the views expressed by the gang do non necessarily reflect their views. Information technology's a legitimate musical with ten original songs. Information technology's a Scott Bakula vehicle. There's a hell of a lot going on in this episode, and information technology didn't necessarily have to come together. Merely it does, and it does information technology admirably. Equally social commentary in Always Sunny goes, this is every bit thinly veiled as it gets. But that'southward okay, because it's a opinion that's worth taking, especially in a show where it'south tempting to mistake satire for glorification. "The Gang Turns Black" is a hell of a flavor premier that comes out swinging. The fact that information technology's the twelfth flavor premier is but testify of the bear witness'south continued freshness and incredible staying power.
eight. Charlie Kelly: King of the Rats (s6e10)
"I doubt Charlie can even say the discussion luau."
Ever Sunny is not known for its eye. Ordinarily chaos and selfishness reign, and I for one wouldn't have information technology any other way. But i unexpected advantage of the abiding mean-spiritedness is the huge emotional payoff that comes with the rare moments of genuine warmth. One of these moments comes at the finish of "King of the Rats," when the gang accidentally and reluctantly throw Charlie the perfect birthday party… fifty-fifty though information technology'south not his birthday. Adding to the charm (and also softening its edges, because nosotros don't desire to get too soppy) is the gang's bewildered interpretation of Charlie's Dream Volume. Charlie'due south illiteracy will never not exist funny. But seeing it brought to life and judged by him is hilarious in an endearing fashion I never thought possible.
seven. The Gang Tends Bar (s12e8)
"Frank's gonna leave me for Jerry, man."
While we're on the subject of rare warmth on Always Sunny, there is no episode warmer than "The Gang Tends Bar." Frank and Charlie take a moment of jealousy turned to reconciliation. Dee and Charlie take a musical moment that strongly suggests their spark in the "The Gang Misses the Gunkhole" was non a 1-time occurrence. And Mac and Dennis have the most touching moment of all, made so gratifying by the years of insistence that Dennis doesn't have feelings, finally quashed one time and for all in a meltdown that is so unlike Dennis, a man known for meltdowns. It's a wonderfully genuine expect at the way the gang depend upon each other for all the right reasons, in a fashion the antithesis of "The Gang Misses the Gunkhole." But on acme of that, it's a tightly and expertly written episode, one that manages to stay true to the heart of the prove while exploring uncharted depths. The many threads running throughout — the mystery of the crate, Frank's tapeworm Jerry, the anthrax scare — are all then seemingly simple yet advisedly doled out to achieve a series of very sugariness and satisfying climaxes.
6. The Gang Tries Desperately to Win an Award (s9e3)
"Let the tape show / The greatest place to go / Is that bar called Paddy'south Pub"
This isn't a metaphor for winning an Emmy. Definitely not. Where did yous hear that? By far the show'due south about self-aware episode, "Award" is a fantastic send-upwardly of mod goggle box that's still cheerfully cocky-deprecating. Like "Onetime Lady House," information technology'due south a fun instance of Always Sunny playing dress up, a unique chance to meet it as information technology never was and never will be. And of course, it's the showcase for two new Charlie Kelly original songs that may rival Nightman itself. When Charlie sings "Go Fuck Yourself" and the gang chase the award committee out of the bar, spitting, you can't assistance but experience proud to still be in that location with them in the end. And so what if information technology'south just a bunch of people yelling over each other? I similar life at Paddy's Pub.
five. The Gang Misses the Gunkhole (s10e6)
"I am untethered and my rage knows no premises!"
Sometimes it's not nearly the boat at all. A tried and true theme of Always Sunny is the gang'due south dependence upon each other. Information technology's rare that all v are in on the same scheme, only they're almost always in twos and threes. Their plans may non piece of work out, merely at least they have each other. "The Gang Misses the Boat" addresses the serious question: How would these people function on their ain? The answer is not well. Frank destroys three strangers' lives, Mac retreats even further into the closet, and Dennis' rage knows no premises. Merely the same doesn't concur truthful for Charlie and Dee, whose freedom from the group blossoms into newfound self confidence and, in i of the show's few real shocks, romance. (A certain Valentine'southward Day episode strongly hints that that romance is still going strong in season 12). "Misses the Gunkhole" has some beautiful moments (Dennis' Golden God meltdown and Frank's Man-Cheetah are just the tip of the iceberg) but the real pleasance comes from seeing the gang as we've never seen them before and understanding what that ways. It turns out their enabling codependency has actually been keeping their worst (and best) impulses in check. Their desperation to get back to the onetime times of rum ham and no questions is at in one case heartening and merely a piffling sorry.
four. Charlie Piece of work (s10e4)
"Steaks? This is a chicken and air mile and steak scam now?"
In terms of technical excellence and sheer artistic joy, goose egg even approaches "Charlie Piece of work." Competent Charlie is my favorite Charlie, and the lengths to which he goes in this episode (and, it'due south implied, on a regular basis) are spectacular. The episode walks a fragile line, making certain that Charlie is on acme of things only in a very particular, Charlie-specific way. He'southward non actually adept at keeping a clean bar, but goddamn is he good at making it seem similar he does. The fume detector ruse, dependent upon the unaddressed but brilliant revelation that Charlie has perfect pitch, is genius. The payoff of a jet blackness Frank opening his optics later playing M# on a recorder is a strong contender for the best moment of the testify. And the implication that Charlie has but incorporated Frank'due south bizarre insistence on painting himself into the program is a testament to the artistry of the script, ane that carefully intertwines every element to create a beautiful chaotic dance. "Charlie Work" is funny, of class, but it's too a real artistic feat that would be right at home in a more classically "sophisticated" bear witness. It's a demonstration of what E'er Sunny is capable of, and it's an absolute joy to watch.
3. Hero or Hate Crime? (s12e6)
"The Ass Pounder 4000 — Never Stop Pumping"
From the initial setup — everyone is loitering on the same street equally a piano is hoisted over the sidewalk and conspicuous music plays — it'southward clear that this episode is gearing up to exercise something unusual. And it does. A remarkable and uncensored examination of the power of language as only the gang could evangelize it, "Hero or Hate Law-breaking?" is a frank expect at some of the very problematic themes that have gotten E'er Sunny where information technology is today, and the acceptance that information technology might be time to motion on. (If y'all're in the mood for a likewise-long essay I wrote on the field of study, then click here). It's also responsible for one of the show's very rare only cathartic moments of genuine heart, as later on 12 years of steadily mounting gay jokes, Mac comes out once and for all to his friends. For an already stellar episode, it'due south a final moment of immense payoff that really pushes information technology over the edge. Information technology's an episode that offers so much, and it delivers it masterfully.
2. Mac Finds His Pride (s13e10)
"Oh my God. I become information technology."
If y'all desire to read my much more involved take on this episode, click here . Or check out One Perfect Shot , where I tweet stills from it equally oftentimes as Neil will let me. Simply if you lot just want a basic rundown, then heed my words of wisdom here instead. "Mac Finds His Pride" is a full game changer, the bravest thing ever attempted past a bear witness already known for taking big creative risks. For the first 3 quarters information technology's a funny enough, middle-of-the pack episode that plays off of grotesque humor and generational and cultural misunderstandings. But the final 5 minutes, a deadly serious performance between Mac and professional person dancer Kylie Shea, is absolutely stunning. Information technology's a conclusion of thirteen years of mounting jokes about Mac's sexuality that is wholly unexpected and unequivocally beautiful. Whether this ushers in a new era of artistry in the 14th season, or exists as a standalone miracle, remains to be seen. Either style, it's audacious, ferociously brave, and nigh-on perfect.
1. The Nightman Cometh (s4e13)
"I feel like you're proverb 'boy's hole'… and it's clearly 'soul.'"
If this isn't your favorite episode, I don't know what to tell you lot. If you lot've actually sifted through the listing and didn't just rocket downward to number ane, you may accept noticed that I have a bias for newer, experimental episodes that subvert or play with the show's well-established themes. Just I'll still choose "Nightman" every fourth dimension. It's the perfect episode. The spectacle of Charlie's play is amazing, of grade. The music is surprisingly good, the production value is unsurprisingly non, and the gang's enthusiasm is contagious. But Charlie's unexpected entrance as the Dayman is transcendent. I believe Rational Charlie is Funniest Charlie, and he builds up a decent amount of sympathy over the class of the episode every bit he tries to herd cats and put on the bear witness of his dreams. So at that place'south zero quite like the loss of all that good will equally he descends from the ceiling singing an octave too loftier to propose to the Waitress.
It's true — nobody writes a musical for no reason. Only considering Charlie did, the world is a much better identify.
Related Topics: Big List, Comedy, Editor's Picks, it'south always sunny in philadelphia, ranking
Liz Baessler is a frequent contributor and infrequent columnist at Moving picture School Rejects. She has an MA in English and a lot of time on her hands. (She/Her)
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